UK Government Backs £800 Million Insurance for Bayeux Tapestry Ahead of Historic British Museum Loan
Treasury indemnity secures rare medieval masterpiece for display in London while its Normandy home is renovated
Britain’s Treasury has agreed to underwrite up to £800 million of potential loss or damage to the Bayeux Tapestry as it prepares for an unprecedented loan to the British Museum, officials confirmed this week.
The decision to cover the 11th-century embroidered linen via the Government Indemnity Scheme means the tapestry will be protected without the prohibitive cost of commercial insurance when it is transported from Normandy and displayed in London next year.
The 70-metre artefact, which depicts the Norman conquest of England in 1066 and has been housed in the Bayeux Museum in France for most of the last millennium, will be exhibited at the British Museum from September 2026 to July 2027 while its French home undergoes renovation.
This will mark the first time the tapestry has crossed the English Channel in nearly nine hundred years, part of a broader cultural exchange agreed by Prime Minister Keir Starmer and French President Emmanuel Macron.
In return, some of the British Museum’s most celebrated treasures—including Anglo-Saxon artefacts from Sutton Hoo and the Lewis chessmen—will be sent to French institutions for exhibition.
Technical preparations for the transfer include detailed conservation protocols and a “dry run” of the voyage using a replica equipped with vibration monitoring to ensure conditions are carefully controlled, reflecting the fragility of the ancient textile.
The Government Indemnity Scheme, which is managed by the Department for Culture, Media and Sport and backed by taxpayers, has been used for other high-profile loans and is estimated to save public institutions millions compared with private policies, enabling major works to travel internationally without facing unaffordable premiums.
While the insurance coverage has been welcomed by museum professionals and cultural diplomats, some conservation experts in France and online petitioners have voiced concern about the risks of transporting such a delicate artefact.
The exhibition is expected to draw significant public interest and deepen cultural ties between the United Kingdom and France during the tapestry’s extended stay in London.
The decision to cover the 11th-century embroidered linen via the Government Indemnity Scheme means the tapestry will be protected without the prohibitive cost of commercial insurance when it is transported from Normandy and displayed in London next year.
The 70-metre artefact, which depicts the Norman conquest of England in 1066 and has been housed in the Bayeux Museum in France for most of the last millennium, will be exhibited at the British Museum from September 2026 to July 2027 while its French home undergoes renovation.
This will mark the first time the tapestry has crossed the English Channel in nearly nine hundred years, part of a broader cultural exchange agreed by Prime Minister Keir Starmer and French President Emmanuel Macron.
In return, some of the British Museum’s most celebrated treasures—including Anglo-Saxon artefacts from Sutton Hoo and the Lewis chessmen—will be sent to French institutions for exhibition.
Technical preparations for the transfer include detailed conservation protocols and a “dry run” of the voyage using a replica equipped with vibration monitoring to ensure conditions are carefully controlled, reflecting the fragility of the ancient textile.
The Government Indemnity Scheme, which is managed by the Department for Culture, Media and Sport and backed by taxpayers, has been used for other high-profile loans and is estimated to save public institutions millions compared with private policies, enabling major works to travel internationally without facing unaffordable premiums.
While the insurance coverage has been welcomed by museum professionals and cultural diplomats, some conservation experts in France and online petitioners have voiced concern about the risks of transporting such a delicate artefact.
The exhibition is expected to draw significant public interest and deepen cultural ties between the United Kingdom and France during the tapestry’s extended stay in London.
